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- Sales Rank: #5395975 in Books
- Published on: 2014-03-05
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .50" w x 6.14" l,
- Binding: Hardcover
- 198 pages
Review
Analyzing an impressive array of dramatic material-- including plays for the commercial theater, court masques, and theatrical entertainments such as puppet shows-- Johnson argues persuasively that the traditional coding of the soul as masculine and the body as feminine could at times be deployed to challenge rather than uphold women's subordination. This well-written and thoroughly researched study enriches our understanding of early modern gender ideologies and the drama that helped to produce and interpret them.'-Michelle M. Dowd, University of North Carolina, Greensboro
About the Author
Sarah E. Johnson recently completed a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellowship at Queen’s University. She is currently teaching as an Adjunct Assistant Professor at Queen’s University and The Royal Military College of Canada and is at work on research exploring pride and gender in early modern literature.
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